Chapter, 2024

The Hybrid Life Writing of Sally Mann: Capturing Human Nature in Words and Images

Hybridity in Life Writing 978-3-031-51803-4, 978-3-031-51804-1, Pages 125-140

Editors: Arnaud Schmitt

Series: Palgrave Studies in Life Writing ISSN 2730-9193, 2730-9185, 2730-9193, 2730-9185, Pages 125-140

Publisher: Springer Nature

DOI: 10.1007/978-3-031-51804-1_7

Contributors

Munk, Anne Green (Corresponding author) [1]

Affiliations

  1. [1] Aarhus University
  2. [NORA names: AU Aarhus University; University; Denmark; Europe, EU; Nordic; OECD]

Abstract

This chapter analyzes the memoir Hold Still, written by the American fine art photographer Sally Mann. The hybrid interplay of text and image in Hold Still (2015) makes it obvious that the book is written in dialogue with Mann’s famous—and much scandalized—photo-book Immediate Family (1992). By analyzing the two books together, the essay presents Mann’s work as an extraordinary example of life writing, in which descriptions and depictions of the artist’s own immediate family is infused with an awareness of the much broader family of man and of human life in general. This awareness in Mann’s work is linked to the tradition of dark romanticism and to gothic interpretations of life in the American South. But most importantly, the chapter argues that Hold Still and Immediate Family represent a rare kind of gynocentric life writing that captures the deep interconnectedness of humanity to the natural world we are all part of.

Keywords

American South, Immediate, Mann, Mann's work, Romanticism, South, artists, awareness, book, deep interconnectedness, depiction, description, essay, families of men, family, human life, human nature, humans, hybrid, images, immediate family, interconnectedness of humans, interpretation of life, kinds, life, life writing, memoirs, men, natural world, nature, rare kind, text, words, work, world, writing

Data Provider: Digital Science